PORTLAND, OR; January 11, 2022Protectress is a hybrid poetry-prose novella offering a risky take on the legend of Medusa. With stunning economy of words and a delicate hand, Protectress provokes us to think about the feminist identity and the power of compassion. Readers who fell deeply for Emily Wilson’s translation of The Odyssey, Margaret Atwood’s The Penelopiad, Madeleine Miller’s Circe, Emily St. John Mandel’s Station Eleven, Maria Dahvana Headley’s translation of Beowulf, and Toby Barlow’s Sharp Teeth will find themselves enamoured with Protectress.

About Kendra Preston Leonard
Kendra Preston Leonard is a poet, lyricist, and librettist whose work is inspired by the local, historical, and mythopoeic. She is especially interested in addressing issues of social justice, the environment, and disability through poetry. Her first chapbook, Making Mythology, was published in 2020 by Louisiana Literature Press, and her work appears in numerous publications including vox poetica, lunch, These Fragile Lilacs, and Upstart: Out of Sequence: The Sonnets Remixed. Leonard collaborates regularly with composers on works for voice including new operas and song cycles. Her lyrics and libretti have been set by composers including Jessica Rudman, Rosśa Crean, and Allyssa Jones. The author of numerous scholarly books and articles, Leonard is also a musicologist and music theorist, and her academic work focuses on women and music in the twentieth and twenty-first centuries; music and the early modern; and music and screen history. Follow her on Twitter at @K_Leonard_PhD or visit her site at https://kendraprestonleonard.hcommons.org/.

Unsolicited Press was founded in 2012 and is based in Portland, OR. The press strives to produce exceptional works of fiction, nonfiction, and poetry from award-winning authors.

PROTECTRESS is available on January 11, 2022 as a paperback (208 p.; 978–1–950730–63–6) and e-book (​all major retailers). The title is distributed to the trade by Ingram.

Learn more at unsolicitedpress.com




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